Showing posts with label foie gras. Show all posts
Showing posts with label foie gras. Show all posts

Saturday, June 9, 2012

Chef's Tasting

Here are photos from last night's Chef's Tasting. Appearing for the first time this year are cherries, summer squash, sockeye salmon, new potatoes, and red raspberries. This is likely the very last tasting of the year to feature strawberries and asparagus: only the weather knows for sure.

Deviled Egg
This dish is the happy coincidence of foie gras and duck eggs. You know, the late afternoon, between shifts conversation on the deck that goes like, "What happens if we mix foie gras into a deviled egg?" The result is so rich that it can only be eaten in tiny quantities. Notice the relative size of the cornichon fan to the egg-foie mousse. We kept adding more and more pickle brine to the mousse to balance the fat and the acid. The olive-looking critter in the center is a truffled pickled immature peach.

Sockeye Salmon
Over the years, I have done many takes on a dish of salmon and Thai curry and this is another. The sauce is a green Thai curry and the green dots are a curried avocado mousse. In the center of the plate are cubes of deep-fried salmon and avocado, topped with some tobiko for crunch and a little Thai basil.

Soft Shell Crab
Not much to say here except the salad is awesome. It's a mix of Beth's mesclun, bean sprouts, carrots, Thai basil, cilantro, and green onions tossed in a dressing of vinegar, sugar, lime juice, fish sauce, chile paste, and garlic. Very Vietnamese and very cooling and refreshing.

June Salad
Gorgeous! The first new potatoes of the year down in a ring with grilled asparagus over and then topped with a sauté of peas, asparagus, and morels in a white wine and shallot butter sauce. A quail egg gilds the lily. These peas are so amazingly sweet that we probably ate more than half of what we shelled. They are addictive!

Squash and Goat Cheese
This is a quick taste of summer in an otherwise late spring menu. Because of our crazy spring, everything is running 2-3 weeks early, including these awesome pattypan squash that we sliced, grilled, and stacked with rounds of fried goat cheese. The goat cheese is an amazingly creamy product that was made locally on Wednesday (and served on Friday). We mixed it with roasted red pepper before forming it into rounds and breading it. A drizzle of pesto and some borage blossoms complete the garnishes.

Pork and Cherries
We love cherry season! Sorry this photo is so dark. All hell was breaking loose in the kitchen at the time: the dining room was full and our ticket rail was overflowing onto the counter. We were in hyperdrive, which lends itself not at all to decent photography. On the left there is a pork cheek, braised, chilled, sliced, and crisped in a steel pan, topped with a cherry-celery salsa. Cherries and celery, sweet and bitter, yin and yang, awesome! In the center on top of the grits is a piece of our pork belly topped with the remains of our dried cherry olivada, a tapenade-like relish. On the right is a salad of microgreens and pork confit threads. We cure the pork confit and age it under duck fat. For this dish, we shredded it and deep fried it, then mixed it with greens and tossed it in a cherry vinaigrette. All our pork is certified Berkshire.

Berries
This is a fun and light way to celebrate the end of strawberries and the beginning of raspberries. Their seasons only ever overlap for a week or two. I baked some oatmeal tuiles and layered them with a lemon meringue and fresh berries. Simple, light, and a fitting ending to a late spring menu.

Friday, November 6, 2009

A Fall Chef's Tasting

I really love composing and cooking tasting menus for a lot of reasons. In building a cohesive menu from scratch, I have a strong sense of engagement and I enjoy and welcome the intellectual challenge. Also, I get out of the rut of cooking the same old crab cakes and filets mignons that pay our rent month in and month out. And I enjoy cooking for people who are willing to have their palates challenged. This frees me to not only show off the bounty of local ingredients with which we are blessed to work, but it also lets me serve delicious things that wouldn't sell well on the main menu, and it lets me experiment to a certain extent by taking some risks that I wouldn't under normal dinner circumstances. Did I also mention that this is how I like to eat? When I go out, I just want the chef to send out small bites every 20 minutes or so.

A lot of restaurants have tasting menus and many of them run a tasting menu for a fixed period of time, such as a week or a month or a season. Each tasting menu that we do is custom designed for a particular client. Even if we are doing tasting menus for multiple parties simultaneously, they will be having different menus. Admittedly it's a crazy way to run a restaurant, but then my sanity escaped to the ether some years back. But in this way, the cooking is very personal. I am cooking for a specific client and not just for anybody who walks in off the street and happens to order the tasting menu.

I don't post many of the Chef's Tastings that we do simply for lack of photographs. It's often too busy to photograph our work or because we're in a rush, photos for a certain course just do not turn out. Shooting macro shots by handholding in a busy kitchen on reflective stainless steel tables under really crappy fluorescent lighting is somewhat short of ideal, especially when I brace the camera against the table and someone down the line hip checks the table at the same time I'm shooting.

But the pace and karma Saturday night all aligned perfectly and I got some good shots, good enough for blogging, at least. Not great, but good enough considering the terrible lighting. They follow below.

I was pleased that the clients actually encouraged me to pair this menu with Virginia wines. Often I have to cajole some clients into letting me show off some of our local wines. The following is a highly seasonal menu, one that screams late fall, exactly what I was aiming for:

Chef's Tasting
Saturday, October 31, 2009

Crème Brûlée of Mapled Foie Gras
poached cranberries, bread crisp

Chrysalis Petit Manseng Virginia 2007

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Fan of Tataki of Opah and Local Daikon
lemon zest, fleur de sel

White Hall Viognier Virginia 2007

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Stone Crab Claws
parsnip purée, vanilla bean beurre blanc, salad burnet

Glen Manor Sauvignon Blanc Virginia 2008

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Veal and Rabbit Terrine
quick-pickled local cucamelons; whole grain honey mustard

Swedenburg Pinot Noir Virginia 2008

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Local Lamb Ribs in the Style of Peking Duck

Fabbioli Chambourcin Virginia 2007

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Lightly Grilled Caribou Tenderloin
duck fat-sautéed matsutake mushrooms and sunchokes; dried blueberries; elderberry and truffle demiglace; local organic spigarello

Linden Claret Virginia 2005

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A Study in Local Apples
Cheesy apple crêpe, apple granita, apple-kaffir lime compote, fried green apple with apple cider reduction; Kerrygold Ivernia cheese

Local Apple Cider-Calvados “Martini”


Crème Brûlée of Mapled Foie Gras. This dish started with a lobe of foie in the cooler that I needed to use and with the local Chrysalis Petit Manseng that I wanted to serve. Americans seem always to want the sweet wines at the end of dinner instead of as an aperitif, so I wanted to buck that by serving the sweet wine up front. I wanted to add some sweetness to the dish to work with the wine and initially I was thinking about brûléeing a slice of foie, and from there it wasn't a huge leap to crème brûlée. The maple syrup was almost an afterthought, mainly a liaison with the maple leaf garnish on the plate. To offset some of the richness, we just barely poached fresh cranberries in simple syrup. We served this warm out of the oven and I have to say that it was a brilliant dish.

Fan of Tataki of Opah and Local Daikon. I had a really clear piece of Opah that I wanted to feature and the first local daikon of the year just arrived in the farmer's market the morning of the tasting. I put a slight pickle on the daikon, for a salty and acidic counterpoint to the barely seared Opah. The flavor combination of the two and the texture contrast between the two were fine, but in the end, I'm not crazy about this dish or the presentation.

Stone Crab Claws. Stone crab season just opened so I wanted to celebrate that with this dish. I feel like I went out on a limb here a little putting stone crab claws on a parsnip purée. Garnishes are a vanilla beurre blanc and salad burnet. I felt the combination of the slightly sweet and herbal parsnip worked amazingly well with the vanilla and the crab. This dish is a winner and visually appealing too.

Veal and Rabbit Terrine. This is another one of my terrines; there's always one in the cooler. While I generally don't use liver in my terrines (because of knee-jerk customer reaction), I used the livers out of four rabbits along with a good splash of cream to bind this terrine. A touch of Cognac doesn't hurt either. Interior garnishes are black truffles, pistachios, dried cranberries, veal tongue, green peppercorns, and rabbit loin. Really a very tasty effort. I opted for the artsy photograph here so the interior garnish is tough to see; pity. In the foreground you see that our nasturtiums haven't given up the ghost yet and in the background you see the last of the local cucamelons, lightly pickled.

Local Lamb Ribs in the Style of Peking Duck. Selling ribs in a fine dining restaurant is an exercise in futility, a real pity because they are so good. We have to sell the ribs somehow, so they most often end up on tasting menus. I am a huge fan of braised dishes (slow-cooked with a little liquid) and especially of the style called red cooking from northern China. We rubbed the lamb ribs in garlic and five-spice powder and braised them with soy sauce, white wine, brown sugar, hoisin sauce, star anise, cinnamon, ginger, garlic, and green onions, then let the ribs stand in the braising liquid overnight. We pulled the rib meat and minced it, defatted the braising liquid and reduced it slightly (soy is very salty!), augmented the braising liquid with a little hoisin and sesame oil to make a sauce, then mixed the minced lamb with the sauce, bias-cut green onions, and white sesame seeds. We then brushed a crêpe with the sauce and stuffed it with the minced lamb. This is absolutely delicious and much more flavorful than duck done the same way.

Lightly Grilled Caribou Tenderloin. Caribou is a mild and delicious deer that under the best of circumstances is difficult to obtain, so I was happy to be able to get a little bit for this tasting. This dish is all about fall: lightly grilled caribou over a nest formed from local spigarello (a leaf broccoli) and filled with a sauté of just-dug Jerusalem artichokes and fresh matsutake mushrooms from Oregon. We finished this with a few dried blueberries and a demiglace augmented with local elderberry syrup and black truffles.

A Study in Local Apples. I'd be really remiss here in the heart of Virginia's apple country not to do a dessert of local apples. I had wanted to do a separate cheese course, but the menu was starting to get a little long so we combined the dessert and cheese courses into a single course. Cheese and apples, especially apple pie, is a natural combination at least in the school of traditional southern cooking in which I was raised. A big slice of sharp Cheddar (rat cheese as we called it) was a must with apple pie.

When I was at the farmers market on Tuesday last week, I was getting some green tomatoes for fried green tomatoes. In the next bin were some green apples causing me to flash on fried green apples. I did an instant market survey ("Hey, what do y'all think of fried green apples as a dessert course?") and the conclusion was that it couldn't be bad, so I came back to the restaurant where Chris and I started to experiment with apple thickness, coatings, and seasonings. After a half a dozen samples we got it right. You see fried green apple under the cheese and the crêpe in the photo above. We removed the core of the apple and plugged it with a piece of apple so that the whole would be edible.

On the plate from left to right you see apple compote (Golden Russet apples) cooked down with local honey and kaffir lime, topped with a blade of vanilla grass. Then the fried green apple with the cheese wedge. The crêpe holds wedges of Empire apples roasted with honey and cinnamon, along with grated cheese. The crepe was warmed in the oven to melt the cheese, then topped with a bit more cheese. Under the fried green tomato you see a syrup that we make by straining and reducing local cider until it is syrupy. On the far right, you see a small serving of apple granita, made from 8 varieties of apples and almost no sugar. I'm really happy with the flavors, but the presentation is a bit monochromatic.

Local Apple Cider-Calvados “Martini”. I didn't want another dessert wine with this menu (remember, we started with one) and I had a couple gallons of local cider on hand in the cooler, so I mixed up a cocktail of cider, Calvados, lemon juice, vanilla syrup, and some bitters. The glass is rimmed with cinnamon sugar. The apple slice is from a sweet Fuji; the cider is naturally sweet so a tart apple would have been unpleasantly mouth puckering.

Thursday, October 15, 2009

Chef's Tasting, October 2009

Chris and I did a tasting last night that was incredibly ingredients-driven (as opposed to thematically driven or technique-driven). We literally threw this tasting together in the course of a couple of hours as most of the proteins were arriving late into the afternoon.

Tuna Flower—Sashimi of Hawaiian Pink Tombo. It's not often that I luck into a piece of 1+ Tombo (Albacore), especially the pink-fleshed kind. It was obvious on looking at the loin that we were going to do sashimi with it; to cook it would have been to dishonor the fish from which it came. We had a ball eating all the trimmings for lunch. The flower petal arrangement of Tombo is topped with lemon zest, green onions, and fleur de sel. And the center of the flower is a quick salad of orange and cucamelon, topped with a micro red Russian kale leaf. I didn't serve any soy with this because I didn't want to mask the fish and I didn't want the soy to fight with the Alsatian Pinot Blanc that I paired with the dish.

Truffled Day Boat Scallop in its Own Shell. Our FedEx driver delivered a huge sack of just harvested scallops from Massachusetts late in the afternoon. I like fresh scallops as sashimi, but I wanted a transition in this course from the raw first course to the cooked third course, so I seared the scallop on one side only and topped it quickly with a little black truffle butter refreshed with a couple drops of lemon juice. I paired this with a local Chardonnay that is amazingly Burgundian in style, high in lemony acidity with a round mid-palate.

Chesapeake Bay Sea Squab Meunière. I was fortunate enough to get some Northern Puffer (Sphoeroides maculatus) which I grew up calling Sea Squab from a dealer down on the Chesapeake Bay. These fish have always been regarded as trash fish on the Bay, but as a kid, I always enjoyed eating them. They have tenderly sweet white meat that is high in gelatin and they're definitely finger food. Whenever I see a batch of cleaned puffers, they remind me so of frog's legs that it always strikes me to cook them in my favorite manner as frog's legs: à la meunière, dredged in flour, sautéed in butter, finished with lemon and parsley. No, your eyes are not deceiving you. There are two whole fish in that tiny crème brûlée dish. I paired the lemony sauce with a lemony and crisp Albariño from Rias Baixas.

Terrine of Foie Gras with Calvados and Truffles. The one thing that the customer requested for this tasting was foie and what better way to do it than as a terrine? The great and frightening thing about a terrine is that there is no place to hide: it's all about the quality of the foie. Not a problem: I have the best supplier in North America. Five ingredients make up this terrine: foie, Kosher salt, white pepper, Calvados, and black truffles, all mixed and jammed into a terrine and slowly cooked in a just barely warm oven, then weighted and refrigerated. Terribly old school and amazingly delicious! Here is the terrine on a slice of savory pain perdu (French toast); cropped out of the photo is a dab of our Asian pear-Kaffir lime confit. I confess to handling the quality control of this terrine personally (and I saw Chris doing likewise). As a chef, I have to ensure that everything going to the table is fit to serve, no? Earlier in the menu, I would have paired this with a sweet wine; here at mid-menu, I treated it as the first meat course and so paired it with a local Pinot Noir, high on acid to work against the fat and smoky to complement the liver.

Veal Cheek en Diable. This dish was an exercise in finding a protein to pair with our amazing local bird egg beans and organic cavolo nero (lacinato, black Tuscan kale). I cooked the huge bird eggs until just tender, then started trying some pancetta in a sauté pan, to which I added the bird eggs and some of their juice. Once this started to come down, I added a bit more juice and a lot of chiffonaded cavolo nero. Once the kale had wilted, I swirled in a touch of butter to mount the sauce and seasoned the beans. On top of this, I plated a veal cheek, the most unctuous and best part of the cow. We braised the veal cheeks in white wine, leeks, and celery root until tender, then firmed them up in the cooler overnight. "En diable" refers to mustard: we rolled the cheeks in Dijon mustard and then in panko and browned them all over, then finished heating them through in the oven. I paired this ensemble with a deliciously fruity local Chambourcin.

Wild Boar Chop. The last few boar that we have got in from Texas have been really tiny, so we have a bunch of small racks on hand. I lollipopped a couple of nice chops and grilled them. They're plated with some peach butter that we made out of self defense when we were given a couple of bushels of local and not terribly ripe peaches, a swirl of celery root purée stiffened with a little local gold potato, chanterelle mushrooms, and some veal demiglace that we augmented with pounded black truffle, local elderberry syrup, white pepper, and lemon juice. I really like Syrah and Nebbiolo with wild boar. I would buy a bottle of Hermitage or Barolo if I were dining out, but to keep costs under control, I found a reasonably priced Australian Shiraz that lets the Syrah shine through, Rhône-style.

Apple Pie-Calvados Martini. The customers for whom we created this tasting have a very strong preference for fruit desserts and now being prime apple season, we have about a dozen varieties on hand in the cooler. This is a simple granita of apples that we cooked down with the barest touch of sugar and a cinnamon stick, then passed through a chinois. The trick to this very simple dish, as for the terrine de foie, is quality of the apples. The bulk are Empires for their tartness along with Grimes Golden for body and a couple of Staymans for flavor. We rimmed the martini glasses with cinnamon sugar, then filmed them with Calvados, added the granita, and drizzled over a bit of highly reduced local apple cider syrup. The remaining garnishes are a cinnamon stick and apple slices. Served with a double espresso and cantucci (tiny almond biscotti).